Public Art Commission on LinkedIn: As part of the Treatment III public art project in 2023, Linda Tegg's work… (2024)

📢 Call for Artists: The Art of Birds @ Museum of Northern History, Kirkland Lake 📢The Museum of Northern History invites artists in all stages of their careers to participate in The Art of Birds, celebrating the beauty and inspiration of migratory birds. The Art of Birds highlights the crucial role birds play in maintaining the ecological balance of nature. The artwork in this exhibition honours all aspects of birds – life, habitat, behaviour and physical beauty. The adaptability of birds reminds us to safeguard their habitats and protect their migration routes while the world at large adapts to ongoing climate challenges. Artwork must show birds as a theme with migration as a consideration. Work will be judged on relevance to the topic, originality, artistic prowess, excellence in composition, and design. All forms of birds in art from traditional to contemporary are welcome.Fees:One entry is $30.A second entry is an additional $15.Artists may submit a maximum of two entries.Application Deadline: May 15, 2024 https://ow.ly/QFj050Qytox📸Image 1: Courtesy of Museum of Northern History[Image Description: A graphic illustration of a raven in the moonlight. The raven and the moon are made up of overlapping shapes in shades of black, blue, gray, and yellow.]

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Enjoy the time-lapse video for the Volcano Landscape Commission. 😁How I create digital art:👍First, references and research. I find many reference images and materials for all my art pieces. A few places I look for references are Unsplash, Wikimedia Commons, and USGS. It's important to make sure your references are free to use for commercial purposes or that you purchase the images you want to use. The three websites listed above have several images that are free to use, in the public domain, or in under the creative commons license.Second, layout the scene using the armature of a rectangle. If you are not sure what that is, I encourage you to look it up or look back at my previous posts for information. I use it when I have lots of elements in an artwork. It helps me organize and put elements in places that are pleasing to the eye and provide good flow.Lastly, I make the art. I take the linework, make swatches to help me focus my colors, and then digitally paint.

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📢 Call for Artists: The Art of Birds @ Museum of Northern History, Kirkland Lake 📢The Museum of Northern History invites artists in all stages of their careers to participate in The Art of Birds, celebrating the beauty and inspiration of migratory birds. The Art of Birds highlights the crucial role birds play in maintaining the ecological balance of nature. The artwork in this exhibition honours all aspects of birds – life, habitat, behaviour and physical beauty. The adaptability of birds reminds us to safeguard their habitats and protect their migration routes while the world at large adapts to ongoing climate challenges. Artwork must show birds as a theme with migration as a consideration. Work will be judged on relevance to the topic, originality, artistic prowess, excellence in composition, and design. All forms of birds in art from traditional to contemporary are welcome.Fees:One entry is $30.A second entry is an additional $15.Artists may submit a maximum of two entries.Application Deadline: May 15, 2024 https://ow.ly/UK9M50Qyty3📸Image 1: Courtesy of Museum of Northern History[Image Description: A graphic illustration of a raven in the moonlight. The raven and the moon are made up of overlapping shapes in shades of black, blue, gray, and yellow.]

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Hygromechanical study of a 16th century painted wooden panel: In-situ experiments to quantify the mechanical effect of the frame and the cradle.Delphine Julliena, Jean-Christophe Dupré, Cécilia Gauvinc, Luca Uzielli, Franck Hesser, Lorenzo Riparbelli, Paola Mazzanti, Joseph Gril, Gilles Tournillon, et al.Journal of Cultural Heritage/ October 2023A B S T R A C TIn order to prevent damage to painted wooden panels from the cultural heritage sector, curators and conservators must provide the hygroscopic and thermal conditions necessary for their conservation. Furthermore, the design of physical reinforcements such as frames or cradles has to be considered. In this paper, experiments were designed to determine the kinematic response of a painting to hygrometric variations both before and after remedial conservation treatments were undertaken. This study was carried out in the Fabre Museum, Montpellier on the panel painting “La Sainte Trinité couronnant la Vierge” (« The Coronation of the Virgin by the Holy Trinity »), which was placed in a climate-controlled showcase in a museum exhibition space. A glass panel on either side allowed visitors to see both sides of the panel during the experiment. At the same time, two stereoscopic devices allowed us to follow the relief, the shape deformation and surface strain of the panel on its front and back sides. First, the mechanical effect of the frame and cradle was studied. The majority of the deformation was found to be due to the cradle; initially the panel had a complex warp (-5 to 10 mm), decreasing to (-1 to +2 mm) when the cradle was removed. The continuous monitoring (two images per hour) was carrried out to assess the behaviour of the panel during imposed relative humidity (RH) variations of about 13 % RH (between 65 % RH for the maximum and 52 % RH for the minimum) for both the absorption and desorption phases.

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Coming October 20, 2023 to the Utah Museum of Contemporary Art: Solastalgia by Andrea Jensen "Solastalgia, as defined by the philosopher Glenn Albrecht, is the feeling of homesickness while we are still at home. More specifically, it describes the anxiety experienced due to environmental changes, particularly those caused by climate change.Andrea Jensen’s exhibition is a manifestation of the distress caused by those environmental changes–as seen through the lens of abstracted landscape paintings. Originally from the Midwest, Jensen experienced the shift from a humid environment to an arid one when moving to Utah. Both places experience severe weather events affected by climate change, and both are “home” to Jensen. In Utah, change is revealed through forest fires and drought, with the latter most evident in the drying up of the Great Salt Lake.These phenomena and landscapes are the source material for Jensen’s paintings, which are easily recognized by inhabitants of the West. The lack of water and vegetation shapes her barren landscapes. Using colors influenced by smoke from forest fires, Jensen creates an unnatural and frightening orange haze that shifts the existing natural colors to an overall warm tone, especially visible during sunrise and sunset.Through her uses of abstraction, Jensen’s paintings exist between beauty and uneasiness, asking the viewer to consider what that juxtaposition means in relation to our region’s seemingly slow-motion yet perceptible threat. The paintings in Solastalgia depict a place in flux, evoking a sense of longing for a place that no longer exists." - UMOCA

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Power of Public ArtPublic art uniquely transforms our surroundings, turning mundane spaces into vibrant canvases that tell stories and evoke emotions. It goes beyond gallery walls, reaching people where they live, work, and play. The power of public art lies in its accessibility—it's art for everyone.One of the significant impacts of public art is its role in shaping community identity. Murals, sculptures, and installations can capture the spirit of a place, celebrating its history, diversity, and aspirations. These artworks become landmarks, fostering a sense of pride and connection among residents.Public art also has the power to provoke thought and spark conversations. A thoughtfully placed sculpture or a mural with a social message can serve as a catalyst for discussions on important issues. It turns public spaces into open-air galleries, engaging people in a dialogue that transcends age, background, and social status.Beyond aesthetics, public art contributes to the well-being of communities. Green spaces adorned with sculptures or vibrant street murals can enhance the overall quality of life. They provide a visual respite, turning routine walks into inspiring journeys.Moreover, public art projects often involve collaboration between artists and the community. This participatory aspect fosters a sense of ownership and involvement. When people contribute ideas or physically participate in creating public art, it strengthens the community fabric, making the artwork a reflection of collective values.Public art can also be a driver of economic revitalization. Cities and neighborhoods with a vibrant art scene attract residents and tourists alike. Murals in once-neglected areas can breathe new life into those spaces, attracting businesses and creating a positive economic ripple effect.In essence, the power of public art lies in its democratic nature. It's not confined to galleries with entrance fees; it's freely accessible to all. Whether you're a seasoned art enthusiast or someone passing by, public art invites you to pause, appreciate, and connect with the creativity that surrounds us in the most unexpected places. It's a reminder that art is not a luxury but a shared experience that has the potential to uplift, inspire, and unite us all.https://lnkd.in/dS94U2_d

Architecture, Iconography, and Text: New Studies on the Northwest Palace Reliefs of Ashurnasirpal II

🍋 Squeeze the Essence: The Hidden Meanings in Everyday ObjectsExploring Kathleen Ryan’s Artistic Interpretation of the FamiliarToday, we’re unfolding the intriguing world of symbolism found in common items. From the allegorical imagery in Renaissance artwork to the emoticons in our text messages, everyday objects are brimming with meanings. Let's spotlight Kathleen Ryan, an artist who masterfully captures this essence.🌟 Artist Spotlight: Kathleen Ryan, based in New York, is revolutionising the art of sculpture. Her work is a unique blend of diverse materials like concrete, iron, marble, and gemstones. In her series of bejeweled fruit sculptures, she revitalises traditional symbols with a contemporary twist, prompting us to reassess our connections with the commonplace.📚 Artistic Insights: Symbolism in mundane items has been pivotal in art for ages. From the symbolic oranges in van Eyck’s works to Warhol’s iconic soup cans, and now Ryan's gemstone-studded fruits, there's a rich narrative continuity. Kathleen’s creations bridge the past and present, reinforcing the idea that art reflects and converses with different eras.🧐 Curatorial Musings: In my curator role, it’s the unspoken narratives of everyday objects that captivate me. An ordinary orange, for example, encapsulates diverse cultural and societal stories. Kathleen Ryan’s art exemplifies how these familiar items, when reinterpreted by artists and audiences, acquire novel significances and vitality.💫 Artistic Paradoxes: Consider the 'sakura' in Japan, a symbol of life’s fleeting beauty. Contrastingly, Ryan’s cherry sculptures, crafted from durable materials, present an intriguing juxtaposition, blending impermanence with permanence.www.heiartgallery.com

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This is an interesting article for people adding a museum visit to their family cultural outing. The points I most appreciated is 3. Pick a museum that feels relevant to your interests and 4. Keep your museum visit short and focused. I say read about the artist (s) on exhibit before going and make the experience more than an IG moment.!Point 3 says, "You can boost your chances of finding an art piece you connect with by going to a museum that interests you, saysJessica Lynne, an art critic and the co-founding editor ofARTS.BLACK, a digital journal of art criticism. If you're interested in climate change, for example, you might pick a museum that's showing artworks inspired by Earth conservation." If your interest is African Art then visit a museum or gallery that has a collection of this art work. This museum or gallery does not have to compare with a heavily funded museum but may be a community space. Be open to diverse experiences in equally diverse locations.Point 4. emphasizes Keep your museum visit short and focused art historianSusie Hodge says. "Be realistic about how long you can spend at the museum. You don't need more than an hour or two. After that, it becomes "information overload" and it's hard to stay focused and retain what you've seen." Museum lag is real so 6 hours straight will not make you the viewere more culturally empowered as you may have zoned out after the first two hours.The reality is that art can feel inaccessible, as if it can only be interpreted by those who know a ton about the subject. And museums can be overwhelming. In reality art is everywhere in our lives and we benefit most when we can appreciate it at every location.https://lnkd.in/gSAnTi84

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Got the chance to photograph an lecture for the Joslyn Art Museum last night and the speaker, the head architect of the new Joslyn wing, Craig Dykers, was able to put into words something I've been struggling to explain for awhile now. During the Q&A someone asked "Is Architecture art?". Craig explained it wasn't, saying that the architect is hired to solve problems which requires making a lot of changes. Asking an artist to make a change is like asking them to cut off a body part.What it made me realize is the difference between doing photo work and doing video work. When you're the photographer, you're typically the artist. You make the work and present it to the client as-is. When you're the film-maker you have to be the architect. You present a draft and then go back and hammer out all the problems.On the outside they seem like the same thing, but the process is so different that it's hard to quantify why they're such unique skill sets.

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